ARTIST BIO
Marie K is a Dutch DJ and producer based in Rotterdam. Coming from a
classical background, she always strives to tell an emotional story while
at the same time creating energy that makes people want to move.
Her richness in facets shows by how differently she expresses herself via live sets and DJ sets while staying groovy, dreamy, yet dance-oriented in both, as
she believes dancing is therapeutic for the soul.
Photo credit: Linda Muysson
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ARTIST BIO
By letting presence and place determine art, Orbit of ecstasy explores an unique awareness culture to its full extent. It is a platform to raise humanity, including the unexpected, the rejected, the ignored, and the failure- in short: working for peace and envision a better world through the freedom of speech, where the arts interact active and independently. Orbit of ecstasy has found its sonic identity by opening up this visionary power to its present. Classical pieces by Bach or Skrjabin can open a door to ecstasy, creating knowledge in the moment.
It can touch the inherent wisdom, the common ground which has been paved the way through: Nikola Tesla (Researcher- founder of the Orgon energy), Agnes Martin (paint- er – mirroring cosmic realities with Color, size, intensity and numbers), Karin v.Maur (Author of „Klang der Bilder“), Zip and Sammy Dee (including humor and relentless smile in electronic music). Accepting spirituality as preform of a fearless state of mind is highly individual and can only be answered by presenting each protagonist independently: Florian Haik Schirmacher (Piano, Electronic) collaborated rst with Pantytec (Zip and Sammy Dee) in the electronic art world. Coming from a percussive band, „Drum Spirit“, he debuted as a singer, which was accompanied by Soulcapsule (Baby Ford and Thomas Melchior) and Larry Heard, who both remixed his rst tracks.
He Co- founded Bands like Wareika, Hatikvah, Here Today, Prime Origin and Federleicht to point out a different sense of community. Especially with his label FormResonance, as a platform for electronic research. Keeping the omnidirectional spirit can’t be more acknowledged by knowing that Florian Haik Schirmacher studied classical music, Theology and got a philosophical degree based on Kierkegaard’s understanding of Freedom – teaching yoga in prison and following the line of Kriya yoga since more than twenty years. As a main influence, he points out: Giorgio Morandi, Agnes Martin, Tikiman and Skrjabin. He lives in a communal space in Esterholz, Germany.
Orbit of ecstasy includes mistakes, failures, humor and accepts spiritual apprentice- ship to bridge Integrity and Identity fractions to gain an omnidirectional intuitive listening. To foster a culture of consent / safe space.
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Whether he’s inspiring dancers from the DJ booth or broadcasting on the radio, Pieter Jansen is a familiar face on Amsterdam’s thriving underground electronic music scene – a fixture at all annual Draaimolen events and a resident & programmer at the notable Breakfast Club in Amsterdam.
Over the past few years, Pieter launched two imprints: yeyeh (short for “You’re Everything You’ve Ever Heard”), a lovingly curated outlet for intriguing, engaging, and inspiring music both old and new; and ninih, the night to yeyeh’s day, an imprint focused on rather rhythmical, club-ready sounds. Through these outputs, Pieter alternately puts out unreleased music by producers from the past (the 90s/00s) while also shedding light onto producers of today.
Bubbling away beneath the surface of the Dutch scene since the early part of the past decade, Jansen began his career by promoting parties and festivals before dedicating more time to DJing. Jansen chose to champion vinyl from the start. It’s almost impossible to pin Jansen to a specific style or scene; instead, he’s cultivated a personal DJ style that prioritises darker, weirder, and more profound records while remaining firmly focused on the dancefloor. Known for taking risks – both in creating thoroughly inspired mixes and by his chosen records – His style is defined by his ability to explore multiple genres while regularly reaching for electro, IDM, house/techno, ambient and minimalist grooves.
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Eversines is a producer and DJ residing in Amsterdam. He’s been producing for over a decade, co-runs record label De Lichting and focuses on the energetic yet dreamy side of electronic music.
In 2019 his debut album was put out through Wex Records, after which releases on yeyeh / ninih came forth including a solo outing and a special collaboration with thereminist Carolina Eyck titled ‘Waves’.
De Lichting being a close group of friends and Eversines’ homebase, he’s always a part of the well received double vinyl compilations they put out, and had his debut on Kalahari Oyster Cult in 2020 with ‘Plooi’. He recently released on labels like Animals On Psychedelics, Nous’Klaer and Lonely Planet Records, with more releases in the pipeline for well-respected labels.
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ARTIST BIO
Penelope is a passionate traveler and digger, always with a thirst for new horizons to fuel her creativity. Born and bred in Paris, Penelope’s sound is a unique expression of her broad sonic tastes that range from house, techno, breakbeat, ambient, and all electronic experimentation.
Her passion for electronic music took a more serious approach after she came back from a year living in New York city in 2009, where she took her first steps in the local rave scene. In 2013 she finally bought her first turntables and has since then continued to refine her taste around the deep and dub-influenced sound she loves.
After some years in Berlin, she now settled in Lisbon where she plays regularly as well as spending time in the studio. She made her production debut in 2021 on the Spanish label Tresydos and will have her next release this year on Basic Moves’s new sub-label For Playful Manners.
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Urška Preis, who works as a solo artist under the pseudonym rouge-ah, is a musician, harpist, visual artist, and music writer. She finished her MA studies at the Academy of Fine Arts and Design Ljubljana, she also studied at the academies in Reykjavík and Leipzig and completed internships at Aitor Throup studio in London and Atelier Hotel Pro Forma in Copenhagen.
Her debut album “bare” was released by Kamizdat Records in autumn 2018. She and the electronic music producer Tine Vrabič – Nitz formed the II/III duo which debuted at the AmbientSoup label in 2020 with the EP “It Could Be Paradise”.
She is also a member of Rok Zalokar’s fluid ensemble Zhlehtet and a four-piece experimental noise group Sujevera. Besides her musical engagements she prepares shows and other contributions for Radio Študent, ARS – Radio Slovenia Third Channel, Odzven, Membrana and platform Neodvisni, curates the music programme at the Red Dawns Festival, writes, photographs, exhibits, designs and speaks.
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II/III (Two Out Of Three) is an electro-acoustic dark ambiental duo, featuring harpist rouge-ah (Urška Preis) and producer Nitz (Tine Vrabič). They have paved a relatively desolate field of the aforementioned genre in their native Slovenia and opened up a space for a new generation of regional sound makers. In their music, they interweave processed field recordings with effected electric harp sounds, create impactful beats out of self-made/recorded samples and altogether make you wonder about the origin of their imaginative sounds. Likewise, their live performances take you on phantasmal road trips all the way from spacious, unworldly drones, through luminous arpeggios and glissandos, to tense synth pads. Their cosmic performances have been labeled theatrical with a reason – to tell a wholesome story with precise dramaturgy is this duo’s ultimate goal.
With Urška bringing in years of classical education, followed by numerous author projects, collaborations, and band activities, and Tine being a pillar of the local electronic music scene, they merge their decade-long friendship into a mind-bending musical experience. They have proven it time and again through their critically-acclaimed debut EP It could be paradise and performing at ultimately all notable venues and festivals and various events at autonomous spaces of their home country.
II/III is currently exploring materials for their upcoming album debut, with topics such as the fragility of memories, interpretations as interventions, and duality of loud- and quietness.
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Originally from Geneva, Shōen has made his home in the rugged terrain of the south of France, where waterfalls cascade from the mountains and rivers etch their way through deep ravines. This lived experience – away from the crowd and grounded in an instinctive connection with the elements – is something he brings into his musical practice.
Drawing inspiration from the dreams elicited by those surroundings, he uses ambient music to transport the listener to a different plane – a limitless domain away from external pressures, where each person is given the space to let their imagination take flight. For Shōen, then, ambience is not merely a backdrop against which our messy lives take place; rather, it’s a stage on which the multiple aspects of our identities can come together and find harmony.
Shōen develops these themes across multiple creative projects. In the studio, he works with a hybrid modular setup, making new recordings every day as the raw material for sampling and arrangement. On the radio, he has regular guests on his long-running Piñata Radio show ‘Cosmic Connexion’, a beacon for the ambient scene in Montpellier of which he is very proud. Finally, there is rich overlap, too, with his practice of hypnotherapy and meditation.
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The PLUIES project by Belgian-Hungarian artist Pauline Mikó is a sound and performative
project that aims to strengthen the relationship between plants, nature and the human being. Through a system of sensors and electrodes connected to the leaves of the plants and the body of the artist, the bio-electric exchange set up is transformed into sound, thanks to a modular synthesizer. The sound waves are then modulated to produce music, both for the ears of the spectators but also for the plants themselves. This system of electrodes, created by the artist, allows the expression of the energies of 11 different plants simultaneously.
By mixing nature and technology, Pauline Mikó offers us an original and sensory experience. The artist tries to give back a legitimate place to plants in our urban lives. By enhancing our connection to our environment, the idea is to become aware of its fragility and the importance of respecting it. The main intention of the artist is to put life back in the center of our communities and allowing a dialogue with Nature.
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Nies is the creative alias of Denise Pakes, the founder of the Rotate imprint and co-founder of the Rings of Neptune agency & kōrero. Originally from the Netherlands, Denise can be found juggling between Paris and Berlin, engaged continuously in musical exploration, audio-visual collaborations with like-minded artists, and organizing events with cultural activation in mind.
After studying ‘Image & Sound’ at the Art Academy & Conservatory of The Hague, Denise became increasingly interested in the ever-expanding audio-visual universe and its peculiarities. Persistently curious and relentlessly passionate in video, photography, and music, she found the natural outlets for her artistic expression, which led her to create her label and agency, explore the art of DJing, and produce both video and music. Currently, she’s following a master’s study at INA GRM in Paris.
Since falling in love with synthesizers a few years ago, music creation is now one of her main creative outputs and an infinite source of inspiration and joy. Warm soundscapes, strange textures, subtle atmospheres, and broad bass lines — her musical intentions either as a DJ or as a music producer are clear: to excite the listeners through an excellent curation of tracks, flowing organically, stretching time and bending space in pure harmony.
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