Pluie/Noir Interscapes 06

Pluie/Noir
Interscapes 06

“Return to Tomorrow”

Sound mixed and compiled by Jon Starks
Visual interpretation by Overdrijve

Welcome to the new Pluie/Noir podcast series. 8 years after our debut we decided to press the reboot button and return to our roots. With a new format and back to a regular monthly schedule, Pluie/Noir Interscapes will feature audio collages, mixes, live interviews, and live recordings from P/N artists, friends, and other collectives we admire.


For Interscapes 06 we welcome USA-born, Berlin-based chameleon Jon Starks to expose his most sensible side, with a visual interpretation by one of Berlin’s graphic wizards, Ina Freienstein aka Overdrijve. We interview both for the occasion:

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INTERVIEW — JON STARKS

Hi Jon, such a pleasure to have you at P/N at last. How are you holding up in these hectic times?

Hey Bruno – It’s an absolute pleasure to take part in a series I have been fond of for so long. The change in day-to-day life throughout the world has been different for everyone – In particular, it has given me a lot of much-needed space for creativity to blossom. Much of the last few years had been taken over by my day job, while this year made room to focus solely on bringing my passion for art and music to the forefront. I can gladly say it was the change I have been craving. 

So you are keeping active & creative? You feel this period has been life-changing?

Absolutely! I’ve managed to dive deeper into different music genres, which played a big part in my growth over the last few years. Having the time and patience to bring thought into reality regarding future endeavors / artistic ideas kept me at ease during this unusual time, the world is going through. 

“this year made room to focus solely on bringing my passion for art and music to the forefront.”

 

And did you consider moving back to the USA at some point? 

I’ve been asked this question many times. Family is a HUGE aspect of my life. I go through moments of missing them immensely, but they remind me of how proud they are to see where my “lust for life” has taken me. The future I am moving toward has its roots in Europe, but my mind is always open to new possibilities. So, I would answer you with: never say never. 

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How did living abroad help you grow as an artist and an individual? 

Having the privilege to experience different traditions and ways of thinking from around the world questioned the Western World’s building blocks that I had been taught most of my life. You learn to trust your feelings, taking new memories every day, as a step closer to understanding what YOU truly believe in. That process can be challenging but incredibly fulfilling. 

Last summer, you self-released an experimental / techno cassette tape. Can you tell us the concept behind that idea?

Surprised anyone noticed! 😀 The idea came to mind during an LSD trip at the start of the summer. I had been reading into sound therapy and wanted to try expressing the experience of sitting in nature, blissfully, through different tones and melodies. After speaking with friends about the idea, I purchased a few special records to fill in with music received by friends. Took a hit, clicked record, and made 10 cassette tapes at home to hand over to friends while traveling to NYC, Portugal, & Brazil. 

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And music production, is it something you want/are exploring, or you believe digging suits you best? 

Yes, I’ve had a passion for producing music for quite a while now but never felt the urge to rush the process. Learning to use the world we live in as an “organic instrument” and building music from that is what I am working toward – i.e., Ryuichi Sakamoto, Nadia Khan, or William Basinski.

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“Learning to use the world we live in as an ‘organic instrument’ and building music from that is what I am working toward”

 

Why, when, and how did you record this podcast?

This recording was made at the start of the year, just before the first Lockdown in Germany. I had just come off 2 months of traveling and had many thoughts regarding Family, Challenges, Trauma, Self Awareness, & Where I was headed in life… Relating deep thought to music, art, writing, whatever has always been a way of helping me understand it’s relation to myself (to me as an individual) – I’m also an “Aquarius” … All we do is deep thinking!

Short, medium, and long term goals?

Live a long life filled with tons of love to share, health to spare & friends who care.

INTERVIEW — INA FREIENSTEIN aka OVERDRIJVE

Hi Ina, such a pleasure to have you at P/N at last. How are you holding up in these hectic times?

The pleasure is all mine. We have been chatting about a possible collaboration for some time, and I am glad to finally contribute.

Well, it’s been an insane year indeed, but I wouldn’t describe the times necessarily as hectic, though – more slow and quiet and somewhat lame, aha. Sometimes I even forget which weekday it is. But I gotta say it’s worth seeing everything from certain perspectives and never lose the positive angle, which is undoubtedly there. This period has been perfect for reflection, self-care, and improvement. Since there has been less distraction in general, it’s been a good year to sort loads of stuff and focus on the important things and people in life, which leaves and enriches you with great insights. 

Are you keeping active & creative? You feel this period has been life-changing?

I have to say I am surprised how business kept going in my case regardless, mostly because my main focus lies on the music scene for most of my projects. So yes, in fact, I was active and creative and realized nice projects. Beyond that, I am trying to get more and more into free artworks to keep the juices flowing and express myself and my vision more straightforwardly without any guidelines and rules. It’s fun, really, and reminds me once more why I am into graphics in the first place. The artwork I now realized for P/N is one good example, as I could freely choose the approach. 

About your question, if this period was life-changing – so yes. It kinda changed my life upside down, so to say. Times like these show us more clearly that change, in general, is an essential and unavoidable part of the whole game, and it’s vital to embrace it and flow with it; letting go was the most important lesson for me lately. A good one.

 

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“This period has been perfect for reflection, self-care, and improvement.”

Do you still find Berlin and its music scene inspiring? 

That’s is a tough one! Especially since I live here now for more than 11 years and the city has changed massively in the meantime. And so have I. And now, with the true spirit at the core of clubbing shut down for an unforeseeable time, I have to admit that I sometimes get to the point to ask myself what the heck am I still doing here. Most of us didn’t come here for the good food or the lovely views. But then my love for Berlin remains strong – in particular, strong with Kreuzberg, which is my home by choice for a long time. If you keep your eyes open, even during those un-eventful times, you will always notice many small things on a daily base, which cheer up my spirit and inspire me deeply.

Regarding music… the tribe is strong, and we will always find the niches to do what we love and live for. Legal or illegally, I mean, that’s pretty much how rave culture started here in the first place. And I do believe that this enforced step backward from the overhyped, capitalistic tourist boom Berlin was becoming will do us all right in the long run – to keep its origin authentic and neat. I had the most inspiring house parties in small circles this year, so yes – it’s good that we are all still here and keep doing what we do and won’t give up the belief in the strong culture Berlin was built on once. 

You’re becoming a very familiar “face” in the design of crucial event promoters and vinyl labels alike. Since when have you been freelancing? 

I am a freelancer in that field for about 15 years, and it’s where my passion truly lies. Club culture gives you such a wide array and playground to express design in its purest form – in no other field you can be as free, artistic, and innovative. I still see graphic design tendencies nowadays being born from the music scene, which can dictate the trends on a larger scale in the commercial industry. Even back then, in Düsseldorf, I started working for an agency involved with clients from the scene and which was basically the main reason for my application to begin with. I have to say I am very grateful, looking back at all those years, that I had the chance to keep doing exactly that here, in the capital of it all, and so many great labels trusted me and my work. Though I have to say, I am deeply missing printing in the poster and flyer forms. 

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“I still see graphic design tendencies nowadays being born from the music scene, which can dictate the trends on a larger scale in the commercial industry.”

Tell us more about your artwork for this series? What was your creative process, and how did the music inspire it?

Ye well, as I mentioned earlier, it’s been totally about having a free mindset for this one. So I took inspiration out of my personal life – friends inspired me deeply and were there for me the last few months, so I guess that’s where the idea came from mostly.

I’ve personally seen your DJ debut at ‘Ik Onkar’ as Ina FM. Do you plan on making more of these “selecta” appearances? 

Oh my, this has been such a fun ride, and therefore I definitely wanna dive into it more on a personal level. I am not planning on becoming a DJ or whatsoever, there are enough good ones out there, and I believe everyone should know their game, as graphic design is mine. Yet I figured that you can express so many emotions and statements thru music, and I enjoy it a lot to fuck up genres and do precisely that, with no restrictions, with no expectations, with no fame and hype and all that pressure. Only free-minded, that’s what FM stands for. 

“I am knee-deep into music and purely interested in it.”

So yes, wanna definitely go for more fun like that. And if I get the chance to express myself again in front of an audience like the one at the Michelberger Hotel, even better. The girls were so sweet to trust me, even though I am such a rookie, yet I experienced truly flattering feedback.

And music production is something you want/are exploring, or you believe digging suits you best?

I am not a producer, nor am I a digger. I am knee-deep into music and purely interested in it.  So since I am consuming music in large amounts myself, I am naturally checking stuff and exploring. If I get the possibility, like I did just now for the London based show Icarus Blue, it becomes a pleasure to combine all this and put it out there and express my interests within a particular concept. I think my last tag line for last year’s show was: “no politics, just rip-offs,” so that’s pretty much where I stand.

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Short, medium and long term goals?

Short, getting into 2021 like …

Medium, going strong with Overdrijve once more.

Long, getting the fuck out of here and grow avocados or whatnot – self-sustainability is the future – with lovely weather, the sea.. an excellent environment to do so. Let’s see, there were never better times to mix the cards new.

 

[PNEM04] Shōen — Plant.æ

Shōen — Plant.æ

"Pluie/Noir 04"
[PNEM04]

Dear Listeners,

This album was created as a reflection of my dreams. It was produced in one week, spontaneously, using only my modular system and the organelle. The music you hear in dreams is often very hard to remember, but through a lot of meditation, I found a way to translate it. A few years ago I made the choice to live by the sea, where I can sustain myself and get inspiration from the birds, the fishes, and kinky little crabs. That’s exactly what I tried to convey in this album: my own little world. They say inspiration comes from your quality of life, and I believe in this deeply! That’s why I’d like to thank all the people who directly or indirectly helped me in my artistic and human development.

First of all, to my own blood: I’m really grateful to have my mum, dad and my sister’s daily and unconditional support.

I’d like to thank Bruno and Pluie/Noir, for allowing me to express myself on this beautiful project, and for believing in me. A big thank you to my friends: to Louise, who gave me a lot of inspiration and without whom this album wouldn’t be the same. To Întuneric, the Piñata Radio team, Nathalia, Kompo, Sabri, Paul, Johnny, Emmanuelle & Sammy, Pazu & all the friends that I missed here (you know who you are): Thank you for your continuous support and all the inspiration you provided me during this process. And finally, a huge thanks to Alexis, without you I wouldn’t have started to make my own music. Love you man.

Shout out to the universe for giving me this chance, and let’s all meet up in the astral dimension!

(づ ̄³ ̄)づ 

Released November 6, 2020

Mastered by Pheek
Artwork & Design by Max Binski

Pluie/Noir
Experimental Media
PNEM004 — 2020

Video
Track Shōen 荘園 – N7 Sentimental 
Feat- Louise

Filmed & edit Eyekino
Dress Francky Kalalo
Rings of Neptune Production

Interstellar Travel Guide – Volume II

Rings of
Neptune

Interstellar
Travel Guide
Volume II

 

To celebrate our debut, we gathered all our artists and challenged them to create music unbounded by genre-specific constrictions. “Interstellar Travel Guide” is a two-part compilation featuring the agency’s 24 artists, and showcases a versatile array of music ranging from spoken vocals & ambient drones to exploratory techno. ‘Volume II’ is the compilation’s beat-driven façade, assembling 12 compositions of distinct genres from the ever-expanding electronic music spectrum, from explorative minimal to contemplative techno.

“Assembling 12 compositions of distinct genres from the ever-expanding electronic music spectrum, from explorative minimal to contemplative techno.”


“Interstellar Travel Guide” is exclusively available on Bandcamp in both digital and limited-edition cassette format. In solidarity with recent protests against police racism and brutality, and in honour of the Stonewall riots of 1969, we’ll also be donating our revenue during the next two months to black-, trans- and queer-led anti-discrimination organizations committed to long-term systemic change, political education, and engagement within the communities such as NAACP, Black Visions Collective and Queer Refugees Germany. 

 

True out of Brew – Denis Kaznacheev

Denis Kaznacheev

"True Out of Brew"
[JFD001]

 

 

“True Out of Brew” is an EP stating Denis’s current situation: being accused of a crime he didn’t commit.”

The title track ‘True Out of Brew’ fills the A-side of the record with a clear message that Denis is a musician at heart, while ‘From the Best Sources’ is the last track he created just before his equipment was taken from him upon arrest. Denis used his own voice in both tracks, making this a very personal, career-defining EP. As usual, both tracks are long excursions familiar to those following Denis’s creative output.”

A. True Out of Brew 13:56
B. From the Best Sources 12:19

Written & produced by denis-kaznacheev
Mastered by Lopazz
Cut by Kitaro Beeh
Artwork Lala Vaganova
Design by Max Binski
A&R by Andrea Martinez & Denise Gluck
Distributed by WordandSound
JFD001 by Rotate, 2020

Order: 
Deejay
Decks
Hhv 
Juno 

Premiere: 

B1 – Denis Kaznacheev – From The Best Sources 

As well as the timing of this EP the fact that this is the first release that Denis has used his own voice and listening to the B1 ‘From The Best Sources’ makes us wonder why he has waited so long. Of course, it is not an easy thing to use your own voice as an artist and it takes a lot of balls to develop confidence in your own voice. However, like we said before Denis shouldn’t have waited so long. The swaggering groove and off-kilter musical elements suit Denis’s fluid Russian accent and with his musings on his preferred source of smoking material the abstract reduced grooves weave effortlessly between each other.

More on Trommel

Rotate 007 – Luc Ringeisen & Suburbial – Jamming

Luc Ringeisen & Suburbial

"Jamming"
[ROTATE007]

 

“Rotate’s seventh release brings a collaborative project between in-house artist Luc Ringeisen and newcomer on the label, Suburbial.”

[Rotate007] Luc Ringeisen & Suburbial

‘Jamming’ 12″

A1 Skyline – Aktivität (09:57)
B1 Simple et Precis (06:15)
B2 Bonhomme de Chemin (06:14)

Written & produced by Luc Ringeisen & Javier Baz
Mastered by Lopazz
Artwork & Design by Max Binski
A&R by Andrea Martinez & Denise Gluck 
Manufactured at RAND Muzik
Distributed by Word and Sound Distribution
Rotate Recordings 2020

Interstellar Travel Guide – Volume I out now on Bandcamp

Rings of
Neptune

Interstellar
Travel Guide
Volume I

To celebrate our debut, we gathered all our artists and challenged them to create music unbounded by genre-specific constrictions. “Interstellar Travel Guide” is a two-part compilation featuring the agency’s 24 artists, and showcases a versatile array of music ranging from spoken vocals & ambient drones to exploratory techno. ‘Volume I’ is the compilation’s most experimental part, assembling 12 compositions of calm, awe-inspiring moments fundamentally aimed at contemplation, and meditation. Volume II will be released shortly after and will gather tracks from the other side of the spectrum, exploring rather beat-driven arrangements.

“Interstellar Travel Guide” is exclusively available on Bandcamp in both digital and limited-edition cassette format. In solidarity with recent protests against police racism and brutality, and in honour of the Stonewall riots of 1969, we’ll also be donating our revenue during the next two months to black-, trans- and queer-led anti-discrimination organizations committed to long-term systemic change, political education, and engagement within the communities such as NAACP, Black Visions Collective and Queer Refugees Germany. 

“12 compositions of calm, awe-inspiring moments fundamentally aimed at contemplation, and meditation.”

 

Links:

official webpage
soundcloud
bandcamp

 

[PNR013] Shampoo Douglas – Kepler 66 Hotline

Shampoo Douglas

[PNR013] Shampoo Douglas - Kepler 66 Hotline

Originally planned as the first part of a 3xLP album, ‘Kepler 66 Hotline’ is a collection of tracks deeply inspired by 90’s sci-fi infected Detroit electro, drenched in deep mellow tones, weird outer-worldly timbres and sharp drum-arrangements.

According to its creators:

“This post-apocalyptic journey is set in 2046 A.D. far out on the Kepler 66 Planet, where The Douglas Brothers (Alchemists of Sound) have now set up their inter-dimensional sonic fortress. Due to complications on Earth and a third world war breaking out, Earth’s population was forced to migrate to unknown territories. Those with pride choose to stay, while others took off to finally create their Utopias on alternate dimensions.

Insufficient Credit. Thank you for calling Kepler 66 Hotline. For more virtual space-time continuum travel, insert credit. To speak with the manager, press 1. Do nothing, and you will be automatically rebooted to reality in 30 seconds.”

Limited edition vinyl. Artwork by Santiago Mac-Auliffe.


Pluie/Noir Recordings 013
Shampoo Douglas – ‘Kepler 66 Hotline’
12″ EP

A1. ‘Thrill of Romance’
A2. ‘G Domain’
B1. ‘Reedonko’
B2. ‘Arobogosta’


Written & Produced by @shampoodouglas
Mastered by Mike Grinser at D&M Berlin
Artwork by Santiago Mac-Auliffe
Design & Copy by Max Binski
“Kepler 66” script by @shampoodouglas
Manufactured at MPO France
Distributed by @yydistribution

Links: facebook / soundcloud / bandcamp