Planetary Interscapes Episode 4: ‘Between Tides’ by Born in 11986

Planetary 
Interscapes
— Episode four

“Between Tides”

Sound mixed and compiled by Born in 1986
Visual interpretation by Max Binski

Welcome to the Planetary Interscapes podcast series. 14 years after its debut on Pluie/Noir and 100+ audio-visual podcasts later, the series is reborn in collaboration with Rings of Neptune. Planetary Interscapes will follow the same motto and feature audio collages, mixes, live interviews, and live recordings from artists, friends, and other collectives we admire, visually interpreted by our favourite graphic wizards.

For episode four, we welcome Born in 1986 (aka Luca Calo) to the series, presenting a selection of ethereal ambient works with cinematic framing. The mix draws inspiration from his daily life and from everything unfolding around him during a period he describes as transitional.

Scroll down for an interview with Luca. Pour yourself a cup of tea, press play, and enjoy.

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INTERVIEW — BORN IN 1986

Hi Luca, welcome to the P/N Interscapes series. How have you been?

Hi Bruno, thank you for this invitation, it’s a real pleasure to take part in it.
Summer has just ended, which makes me feel a bit melancholic because it’s one of my favorite seasons… but to be honest I’m also excited for autumn and winter, as I have new challenges ahead.

Berlin can be quite a challenging place to live. Is it still giving you as much as it asks in return? Do you ever think about moving back to Italy, or have your roots taken hold here?

I was born in a small village near Varese, close to the Swiss border, just north of Milan and not far from Como. My father, though, comes from the South, near Lecce, and in a way I feel that’s where my real roots are. Whenever I can, I love to spend time there, and honestly I’ve been thinking that maybe one day I could go to live there.

I’ve been living in Berlin for 10 years now. For me, it has always been challenging; it’s a city you can deeply love one day, and hate the next. It’s a place where you can easily get lost (and I have, many times), but at the same time it gives you so much back.

I would describe my life in Berlin in “phases,” where I can recognise moments of change over the years, in myself, in the city, and in the people around me. I often think about moving away, mainly because my biggest struggle here is the weather. But on the other hand, what Berlin gives back in terms of work, art (in all forms), and inspiration is something I don’t think I could find anywhere else. That’s why I’m still here.

(3) / (4)

“I would describe my life in Berlin in “phases,” where I can recognise moments of change over the years, in myself, in the city, and in the people around me.”

Being a booking agent, managing record labels YAY and 3NO, and more recently launching CONCENTRIC with Simone Merli—how do all these projects connect and influence each other?

I always try to keep things quite separate, especially in terms of my main role as a booking agent. Born in 1986 is more like an escape from reality for me, while the record labels I’ve run reflect my personal journey. In this sense, Concentric connects with Born in 1986, where YAY and 3NO Records are more tied to Luca, to a different side of me.

What’s next for Concentric? What are your plans for the label, and could you tell us a bit more about the project?

Concentric Records is a label I run together with Simone Merli (Soundwalk Collective). Interestingly, we both come from the same area in Italy, but we didn’t meet there; it was music that brought us together. We share a strong connection, and since we come from two different fields, that difference actually makes the project even stronger. 

Concentric Records was born from the need to release something meaningful through our musical knowledge. We see it as a platform where artists can truly express themselves. That’s also why we organise showcases and curate a monthly radio show on Refuge Worldwide.

In the near future, after a little break, we are coming back with a new release on vinyl produced by ATOM TM. ATOM is definitely one of the producers that inspires me the most, and I’m grateful to have him releasing on my label. 

“Concentric Records was born from the need to release something meaningful through our musical knowledge. We see it as a platform where artists can truly express themselves.

Born in 1986 is a DJ name I can definitely relate to. We’re both ’86 kids, so I imagine we’ve lived through many of the same historical moments and probably share some life experiences. We’ve witnessed massive changes—especially technological ones. Do you feel this has shaped you personally, as well as your musical taste?

Absolutely, being born in 1986 means growing up right in the middle of an incredible cultural and technological transition. From the analog world of tapes, VHS, and the very first video games, to the digital revolution of the internet, social media, and music production tools, we’ve experienced both sides. On a personal level, this shaped me to be curious and adaptable. I carry with me the nostalgia and warmth of that pre-digital era, but at the same time, I embrace the possibilities technology has brought us. Musically, I think it gave me a broad perspective: I value the rawness and imperfections of older sounds, while also exploring the precision and innovation that new tools allow

“‘I carry with me the nostalgia and warmth of that pre-digital era, but at the same time I embrace the possibilities technology has brought us.”

 

Tell us more about ‘Between tides’. How, why, and when was it recorded?

The mix was recorded at my place in Berlin. I drew inspiration from my daily life and from everything happening around me. I’m living through a moment of transition, and I feel that this transition really inspired me to put the mix together.

Where will you be performing over the next few months? Any showcases planned for your imprints?

I just played two gigs in August: one at CDV in Berlin for the 10 years of Off The Grid, and the other at Opera Festival in Sicily. I was really impressed by this festival, the curation, the people, and the location are something quite unusual to find in Italy, especially in the South. I highly recommend it.
I’m currently working with Simone on a Concentric showcase at Zenner in Berlin. Then, together with Simone, my good friend e/tape, and Tobias, we’ll be playing in Milan on October 10th for a very special event: to celebrate the birthday of our dear friend Loris, one of the purest souls, who sadly left us less than a year ago.

"I'm opening a new label called Mutual Connection. This will be my first solo project, as the other labels I run are in partnership with someone else."

Any other plans for the near future?

I’m opening a new label called Mutual Connection. This will be my first solo project, as the other labels I run are in partnership with someone else. Mutual Connection will be dedicated to experimental, ambient, and boundary-free electronic music. I don’t want to give it a single direction; I’d rather keep myself open to exploring what’s happening around me. The first release will come out on cassette and digital, produced by my good friend Ascion: 12 tracks floating between genres, mostly industrial, noise, ambient, and something a bit punk.

(3) / (4)

Personal photos:

(1) Tuglie, located in the Lecce area, where Luca’s grandfather was born.

(2) A red car with Luca inside — it was his grandfather’s car, a car he loves driving when he goes back, as it really reconnects Luca to him and brings back so many memories.

(3) One of the most flavorful pastas Luca ever had. It’s from Le Macare, and it’s a reinterpretation of pasta e patate, made with scampi and green Tabasco.
(4) A dessert called pasticciotto, typical of the Lecce area and one of my his sweets. It’s a homemade pastry filled with cream.

Planetary Interscapes 002

Planetary Interscapes
— Episode two

“13357”

Sound mixed and compiled by Karolina & Piotr
Visual interpretation by Max Binski

Welcome to the Planetary Interscapes podcast series. 10 years after its debut on Pluie/Noir and 90 audio-visual podcasts later, the series is reborn in collaboration with Rings of Neptune. Planetary Interscapes will follow the same motto and feature audio collages, mixes, live interviews, and live recordings from artists, friends, and other collectives we admire, visually interpreted by our favourite graphic wizards.

It took us a while, but here we are — episode two of Planetary Interscapes, “13357”, powered by Pluie/Noir and Rings of Neptune.

We welcome Polish talents Karolina & Piotr to the series with a musical selection that undoubtedly stands the test of time. Artwork by Cleymoore, signed as Max Binski, giving the honours to the fresh reboot. You can scroll down for interviews, serve a nice cup of tea, press play and enjoy. 

Karolina & Piotr

INTERVIEW — KAROLINA & PIOTR

Hi Karolina & Piotr, welcome to the P/N Interscapes series. How have you been?

We are good. We had just finished food and sat on the stairs at Frankfurter Tor, observing people and chilling.

Are you both living in Berlin? Did you meet here or in Poland? Why Berlin?

Yes, we are both living in Berlin. We’ve had some common friends in Poznań, Poland and we met there, but we became friends in Berlin.

Piotr: For me, it’s been seven years in the city. When I was still in Poland, I reached the point where I wanted and needed change and a fresh start. Moving to Warsaw was also in the picture, but I decided to start in a new country. Berlin’s electronic music access and offer was, of course, one of the main motivations. 

Karolina: I have wanted to move to Berlin since 2013 or 14 for similar reasons. Access to events and music, which Berlin can offer, was a big one for me, but I also wanted to live abroad. It took some time for this dream to come true, but finally, in 2017, I arrived here to stay (following my first Get Perlonized and Melliflow weekender at Hoppetosse).

“In recent years, the Polish underground music scene has become much faster than it used to be (like many other scenes in different countries).”

How’s the underground scene in Poland? Is there a space for the sounds you both explore?

In recent years, the Polish underground electronic music scene has become much faster than it used to be (like many other scenes in different countries). As a result, a big part of the club audience doesn’t see genres like minimal, house, and deep as music to enjoy during the prime time, but rather as a background for party pregame. More intense styles are more popular currently. So, as you can imagine, there is no massive space for ambient. However, a few significant initiatives like “Salon Ambientu” are conducted in different cities across Poland. We definitely see the potential to develop spaces and events with ambient music in our country.

Is ambient music and sound healing a common interest? Is the interest in such music and settings rising? 

Absolutely. We see a rise and increased interest in slower paces, ambient stages and experiencing electronic music that way. From our perspective, ambient is mature music and life experience (or getting older, haha) can allow listeners and also us to explore these sounds. It can be more needed than ever, especially in the fast-changing, eruptive times we’re experiencing now.

Karolina: I feel that there is a lot of potential to introduce many new people to the listening experience of electronic music. It’s different from the usual format, but every clubgoer needs to chill from time to time. When I speak with friends or people who are into electronic music, plenty of them never thought that ambient could touch them and that they may spend a big part of the evening or night on ambient/downtempo stages in clubs and festivals. 

“It’s different from the usual format, but every clubgoer needs to chill from time to time. When I speak with friends or people who are into electronic music, plenty of them never thought that ambient could touch them

Apart from Piotr’s Late Night Shift Recs and Karol’s Cosmic Interviews, what other projects are you working on (separately or together)?

Piotr: My main focus is on the project with Karolina and starting my own label. I have been playing very sporadically for a long time, which has allowed me to think about my direction. The fact is that I have a great affection for music and cannot imagine an everyday life without it. There has always been a need for me to leave something tangible in this field, and thanks to the talented artists in Poland, I decided to start a label that will focus on promoting Polish artists who explore deeper sound. I have always associated minimal, deep or minimal-techno music with long sets and endless parties, so I decided to call my label Late Night Shirt Records. I will be pleased to release the music of great Polish artists such as Serasso, Aleksander Erdmann, Elvira, Schrill, and Gogan on the first records. The whole thing is not just music. I want to create a platform that brings together Polish artists from various art forms. Therefore, the graphic design is the responsibility of a visual artist from Wroclaw, Feliks Marciniak. The album’s first cover was created by an artist from Pomerania, Piotr Pastusiak. Soon, we will start with the promotion of the first record! Stay tuned 🙂

Karolina: After conducting interviews by myself at Cosmic Podcast and later with Lorenzo Chiabotti at Planet Release, I feel like my role in talking and discussing electronic music has ended. In recent times, I put my focus solely on music and swam away from journalism. Apart from digging and mixing records, I’m focused on conducting sound baths using singing bowls (also Tibetan bowls) and mixing ambient records live. I’ve been inspired by numerous sound baths attended earlier this year – from singing bowls, gongs and tuning forks. After lots of practice this summer, I’m working on bringing this project to the wider public. Things are in progress.

Karolina · Cosmic Interviews vol.24 – Jeyoh

“‘The whole thing is not just music. I want to create a platform that brings together Polish artists from various art forms.

 
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Tell us more about “13357”: How, why and when was it recorded?

In 2022 our friends Gabriela and Robbin, founders of the Zeevonk project, created a beautiful 3-day event dedicated to the fauna and flora of deep seas and oceans and was called “Underwater Love”. They invited us for opening day to play ambient, downtempo tunes, representing how we see underwater life. We were invited to play separately but decided to try playing together. It worked very well, but we didn’t record it at the event. Afterwards, we decided to do a recording session similar to Zeevonk’s Underwater Love selection. We were very happy with the result, so we started doing it regularly in one of the apartments. This mix is a result of the second session. We didn’t want to keep these mixes for ourselves but share them with others, so we started researching suitable platforms (like yours). 

Short, medium and long-term goals?

We aim to continue recording sets and publish them on beloved and respected platforms. As a second goal, we would love to play together in one of our favourite places – CDVHoppetosse etc and a nice festival. The ultimate goal of this project is to explore music and have fun!



Links:

www.instagram.com/_cosmic_carol/
www.instagram.com/eyeseeyoup/
www.soundcloud.com/karolina_j
www.maxbinski.com

 

Interstellar Travel Guide – Volume II

Rings of
Neptune

Interstellar
Travel Guide
Volume II

 

To celebrate our debut, we gathered all our artists and challenged them to create music unbounded by genre-specific constrictions. “Interstellar Travel Guide” is a two-part compilation featuring the agency’s 24 artists, and showcases a versatile array of music ranging from spoken vocals & ambient drones to exploratory techno. ‘Volume II’ is the compilation’s beat-driven façade, assembling 12 compositions of distinct genres from the ever-expanding electronic music spectrum, from explorative minimal to contemplative techno.

“Assembling 12 compositions of distinct genres from the ever-expanding electronic music spectrum, from explorative minimal to contemplative techno.”


“Interstellar Travel Guide” is exclusively available on Bandcamp in both digital and limited-edition cassette format. In solidarity with recent protests against police racism and brutality, and in honour of the Stonewall riots of 1969, we’ll also be donating our revenue during the next two months to black-, trans- and queer-led anti-discrimination organizations committed to long-term systemic change, political education, and engagement within the communities such as NAACP, Black Visions Collective and Queer Refugees Germany. 

 

Interstellar Travel Guide – Volume I out now on Bandcamp

Rings of
Neptune

Interstellar
Travel Guide
Volume I

To celebrate our debut, we gathered all our artists and challenged them to create music unbounded by genre-specific constrictions. “Interstellar Travel Guide” is a two-part compilation featuring the agency’s 24 artists, and showcases a versatile array of music ranging from spoken vocals & ambient drones to exploratory techno. ‘Volume I’ is the compilation’s most experimental part, assembling 12 compositions of calm, awe-inspiring moments fundamentally aimed at contemplation, and meditation. Volume II will be released shortly after and will gather tracks from the other side of the spectrum, exploring rather beat-driven arrangements.

“Interstellar Travel Guide” is exclusively available on Bandcamp in both digital and limited-edition cassette format. In solidarity with recent protests against police racism and brutality, and in honour of the Stonewall riots of 1969, we’ll also be donating our revenue during the next two months to black-, trans- and queer-led anti-discrimination organizations committed to long-term systemic change, political education, and engagement within the communities such as NAACP, Black Visions Collective and Queer Refugees Germany. 

“12 compositions of calm, awe-inspiring moments fundamentally aimed at contemplation, and meditation.”

 

Links:

official webpage
soundcloud
bandcamp